Tuesday 30 October 2018, 7.30pm
What is the mass of sound? How much space does it occupy?
Without matter there is no sound, but sound is not the matter that carries it.
Sound Matter brings together three unique performers in a program of intimate sets. The concert presents different perspectives and instrumentations, focusing on the various materials used for music and sound creation. It will explore improvisation and other methods of composition, highlighting collaboration as a process of offering and sharing creative visions.
Áine O'Dwyer, (b. Co.Limerick, Ireland) who lives and works between Ireland and the UK. She graduated from the Limerick School of Art and Design in 2006 and the Slade School of Art in 2011. She creates live and recorded events which embrace the broader aesthetics of sound and its relationship to environment, time, audience and structure. The notion of a holding space as-extension-of-instrument is a cornerstone of her artistic investigation and the crux of her live performances.
https://aineodwyer.bandcamp.com/
Sharon Gal is an interdisciplinary artist, performer, vocalist and composer, specialising in free improvisation, experimental music and collaborative, participatory large group compositions. She works with voice, electronics, extended techniques, field recordings, found audio, video and collage; exploring presence, listening, embodiment, and the relationship between people, sound and space. Sharon performs solo and in collaborations with: David Toop, Steve Beresford, Phil Minton, Charles Hayward, John Butcher, Andie Brown, Yoni Silver, Sue Lynch, Anat Ben David and Lina Lapelyte.
Since 2007 she has directed a series of site specific, large group compositions, inviting musicians and non-musicians to take part. She curates music concerts, including the series Sound Matter, at Café OTO, and concerts at Iklectik arts lab. Her music is released by many labels, including five solo albums and various collaborations.
Past performances include The V&A, ICA, The Whitechapel Gallery, Tate Modern & Tate Britain, MACBA, and Colour Out Of Space, Borealis, Supernormal, Supersonic, TUSK, and Tectonics festivals. Her experimental work, Etudes by Sharon Gal, a collection of text & colour scores, presented as a deck of 78 cards, was supported by Sound and Music and published in 2021.
https://www.sharon-gal.com/
https://sharongal.bandcamp.com
David Toop has been developing a practice that crosses boundaries of sound, listening, music and materials since 1970. This encompasses improvised music performance, writing, electronic sound, field recording, exhibition curating, sound art installations and opera. It includes eight acclaimed books, including Rap Attack (1984), Ocean of Sound (1995), Sinister Resonance (2010), Into the Maelstrom (2016), Flutter Echo(2019) and Inflamed Invisible: Writing On Art and Sound 1976-2018 (2019). Briefly a member of David Cunningham’s pop project The Flying Lizards in 1979, he has released fourteen solo albums, from New and Rediscovered Musical Instruments on Brian Eno’s Obscure label (1975) and Sound Body on David Sylvian’s Samadhisound label (2006) to Entities Inertias Faint Beings (2016) and Apparition Paintings (2021). His 1978 Amazonas recordings of Yanomami shamanism and ritual were released on Sub Rosa as Lost Shadows (2016). In recent years his collaborations include Rie Nakajima, Akio Suzuki, Tania Caroline Chen, John Butcher, Ken Ikeda, Elaine Mitchener, Henry Grimes, Sharon Gal, Camille Norment, Sidsel Endresen, Alasdair Roberts, Lucie Stepankova, Fred Frith, Thurston Moore, Ryuichi Sakamoto. Curator of sound art exhibitions including Sonic Boom at the Hayward Gallery (2000), his opera – Star-shaped Biscuit – was performed in 2012.
